18 Description
Description is the tool writers use to make things come alive for their readers, to make sure that their audience is fully immersed in the words on the page. Every time you tell a story to someone, or tell someone about something, you use description even if you don’t know it. Description can be as basic as, “I have a blue car” or “That is such a cute baby” or as detailed as “The flowers soak up the golden sun’s rays and begin to show their vibrant colors.” Descriptive words are used to provide more information and provide added insight. In fact, a description is the one tool that most allows writers (and speakers) to show instead of just tell, which enables us to exemplify our points to our readers.
There are two basic types of description, objective and subjective. An objective description is demonstrated in the first two examples above; it gives a factual account of the subject. A subjective description offers a more personal view of the details by choosing specific words and phrases such as vibrant to describe colors in the above example. Vibrant doesn’t just offer detail about the colors, it also offers an opinion or a value judgment within the description. Most descriptions offer a mix of the two to convey the details while also offering the audience an idea of the emotional context of the subject being described.
Sensory Details
All expressive description, however, uses sensory details as its basis. These are details that appeal to the five senses—sight, smell, sound, taste, and touch. Of course, different subjects lead themselves to an emphasis on different sensory details and not all subjects require a use of all five senses. We all recognize the importance of sight as a descriptive tool, but we don’t always realize how important other sensory details can also be. Consider, though, how often you will smell a certain smell and instantly think of something or someone specific. You might smell freshly baked bread and think of your grandma’s kitchen, or popcorn and think of a movie theater. Hearing a certain phrase might make you think of an old friend or acquaintance. You might associate a certain type of material with a blanket you had as a child. When you take a bite of pepperoni pizza you might be reminded of the slumber parties of your youth. Sensory details really can play an important part in making a description come alive.
Practice Step 1
Choose an everyday object. Write a description of that object that appeals to all five senses in a way that does not state the object.
Practice Step 2
On a separate sheet of paper, describe the following five items in a short paragraph. Use at least three of the five senses for each description.
- Night
- Beach
- City
- Dinner
- Stranger
Using Concrete Description
Try to use specific, concrete descriptions. For example, a writer may write beautiful to describe a tree. However, beautiful is too vague. Instead, a concrete adjective or modifier would be stronger and gives a greater impact. The reader needs details for a picture to form in their heads, abstract concepts like beautiful lack a real-world analog.
Here’s a reworked description of the tree: “the sun’s rays glistened off the rain-slick leaves, even as the afternoon sky dipped towards evening.” The beautiful qualities of the tree are “shown” through concrete details instead of merely told through abstraction. This gives the reader the illusion of immediate experience, as opposed to the dictionary variety.
Similes and Metaphors
Another way to add descriptive language is to use similes and metaphors, creating a picture in readers’ heads by comparing two objects to each other. Similes and metaphors help to make connections between two ideas, concepts, or objects that clarify or give new meaning.
A simile is a comparison using the words like or as. It usually compares two dissimilar objects. For example, the bread was as dry as a bone. The comparison links a piece of bread that has become hard and white to a bone that is also hard and white. Bones often dry out, and so does bread. These similar characteristics are what make the simile effective.
A metaphor states that one thing is something else. It is a comparison, but it does NOT use like or as to make the comparison. For example, my grandmother is an open book. The comparison implies that my grandmother is full of information that she willingly shares with others.
To make a simile or metaphor, identify an object like a sunset, tree, or river, or a concept like love, peace, or anger. Then think of another object that has some similar traits. Decide whether the words “like” or “as” will help make the connection more understandable. A good simile or metaphor will make the reader look at both objects in a new perspective.
By adding similes and metaphors to a description paper, the writer can appeal to the readers’ imagination and make the writing more interesting to read. Similes and metaphors add spark to descriptions. However, many cliches come in the form of similes and metaphors, so strive to create comparisons that are specific to your particular subject.
Key Takeaways
- The description should describe something vividly to the reader using strong sensory details.
- Sensory details appeal to the five human senses: sight, sound, smell, taste, and touch.
- A description should start with the writer’s main impression of a person, a place, or an object.
ATTRIBUTIONS
- Content adapted from Chapter 5 – Rhetorical Modes by Jenifer Kurtz is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License