Module 26: Reading Like a Professional

Many college students who graduate at the top of their high school classes experience a rude awakening when, after reading an assignment for a college course, they fail a quiz over the assignment the next day in class. What happened? You know you read every page of the assignment, but when the professor asked you about a specific point in the reading, you blanked. Or even worse, even as you read, you were never quite sure just what the author’s central argument, or thesis, was.

The reading assigned in college courses can be quite challenging. Authors often pursue their goals in complex and sophisticated ways, employing vocabulary, metaphors, and allusions that are unfamiliar to many readers. Authors of literature are no exception to these practices. Yet, avid fans of poetry, fiction, and drama often claim that the world is broadened incredibly by literature, if only one can determine how to navigate it.

You probably enjoy reading certain kinds of texts, such as internet articles on your pet interests or biographies of people you admire. You may even have literary favorites. You may have spent many happy hours immersed in the world of Middle Earth, in Tolkien’s Lord of the Rings, or in Forks, Washington, trying to guess what will happen to Stephenie Meyer’s Bella in the Twilight series. Still, you may feel a bit uncertain surmising the meaning of Nathaniel Hawthorne’s allegorical short story “Young Goodman Brown” or interpreting Robert Frost’s sonnet “Design.”

Take heart! The more you learn about literature and the more you practice unraveling its meanings, the more adept you will become at understanding it. In fact, this is the case for all kinds of texts. Many students just beginning to study law, for instance, find the specialized language 5 Reading Like a Professional and style of the field almost impossible to understand, but after a year or two of reading case documents, they undoubtedly find the task much less daunting. Similarly, students new to academic research articles and books often have difficulty plowing through them and then summarizing the authors’ points. Yet, after some practice, this task becomes much less challenging and even—dare I say it?—intellectually stimulating!

So how does one improve comprehension of such texts?

Use an Active Reading Process:

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The following “active” reading process is recommended to boost you beyond common frustrations with challenging reading assignments. It may seem tedious at first, but if you practice it often enough, it will become second nature to you as you tackle tough readings.

Skim the text first. Get an idea of what sort of text you are dealing with. Is it an article based on primary research, such as experiments or zparticipant interviews? Is it a critique of a previously published study? Is it a personal essay based on the author’s life? Is it a sonnet or a one-act play? How is the piece structured? Can you find a statement or passage that seems to capture the text’s central message?

Next, read the whole piece slowly and carefully. We cannot expect to understand dense, sophisticated texts through the same reading process by which we might read a newspaper article or a Facebook post. We must be willing to slow down to absorb subtleties and complexities.

Engage with the text. Annotate as you go. In other words, write on the page! If you cannot write directly on the page, use sticky notes or electronic note-taking strategies. Look up unfamiliar terms and jot down the definitions, highlight or underline key ideas, and write down questions and ideas that come to you as you read. Note patterns in the text that might be considered later to help unravel the meaning.

Reread the text as necessary. Seek to fill in gaps in your understanding that may remain after your first reading.

Gather outside information about the piece’s context if it is helpful, though you should be careful not to “read into” the text’s meaning too much. Any historical or biographical interpretation of a literary work must still be supported by the text itself.

React. Record your personal response to what you read. If you disagree with a statement, make a note of your reaction. You may change your mind as you proceed through the text, but moving beyond the role of a passive reader, who simply memorizes information, will generate a much deeper understanding. Your brain wants to fit this new perspective into the other ideas already stored there. Working through contradictions and/or exploring relationships between old information and new information will increase retention and understanding of the new material.

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Using the guidelines above, let’s consider this excerpt from a scholarly article by Jacob Michael Leland, “‘Yes, That is a Roll of Bills in My Pocket’: The Economy of Masculinity in The Sun Also Rises.”

A great deal of critical attention has been paid to masculine agency and its displacement in Ernest Hemingway’s fiction. The story is familiar by now: the Hemingway hero loses some version of his maleness to the first World War and he replaces it with a tool—in Upper Michigan, a fishing rod or a pocket knife; in Africa, a hunting rifle—a new object that emblematizes his mastery over his surroundings and whose status as a fetishized commodity and Freudian symbolic significance is something less than subtle. In The Sun Also Rises, this pattern repeats itself, but with important differences that arise from the novel’s cosmopolitan European setting. Mastery over the elements, here, has more to do with economic agency and control over social relationships than with nature and survival. The stakes are different, too; in the modern European city, the Hemingway hero recovers not only masculinity but also American identity in social and sexual interaction. (37)

Example Annotation:

In researching The Sun Also Rises for a project, Ling Ti found Leland’s article. What follows is her annotated copy of the above excerpt:

Annotated copy of the excerpt

Reaction: If Leland is saying that the character uses economic mastery to feel like a man, what does this say about big spenders in general? About American consumers who think they have to have a certain kind of phone or car or jeans? Is spending really related to masculine identity? I’m not sure—I need to think about it. Maybe it’s at least true for Jake in the 1920’s Paris and Spain settings of the novel.

Upon her first reading of the article, Ling wasn’t quite sure what Leland was saying, but after interacting with the text according to the above recommendations, she was able not only to understand his argument but also to consider whether or not it is convincing.

LICENSING AND ATTRIBUTION

Source citation: Writing and Literature: Composition as Inquiry, Learning, Thinking, and Communication by Tanya Long Bennett is licensed under a Creative Commons Attribution-ShareAlike 4.0 International License.